The chaos of Mumbai was possibly a not likely starting point for Suhani Parekh’s minimalist jewelry line. Having grown up around the points of interest, sounds, and smells of India’s biggest and most populated metropolis, Parekh wanted her debut collection for Misho to be the complete opposite. ‘In Mumbai, your senses are continually activated, for better or for worse,’ she says. ‘I wanted to strip away the extra.’
But Parekh, who based her label in 2016, by no means, in reality, deliberate to come to be a jeweler. A creative baby, who became as ready to play with a Potter’s Wheel as she becomes to paint, she determined to wait for Goldsmiths in London for her undergraduate degree — deciding on a multidisciplinary route that left many routes open to her. ‘For some time, I considered that specialize in artwork records, however, I realized I changed into most at peace when growing something. It changed into a manner for me to channel my thoughts.’
She grew to become to sculpture, operating with steel which lent itself nicely to Parekh’s transition into jewelry — the latter happened after realizing the pieces she was making in the course of her course looked higher worn on the frame than installed on a plinth. ‘I nevertheless think of my work as tiny pieces of sculpture,’ she says, of her chunky lower-chain necklaces, stackable pebble jewelry and sculptural hoops that resemble a deflated soccer. ‘I love the idea that a chunk of jewelry turns on the distance of the body very much like a bit of sculpture turns on a bodily area.’
Parekh now works solely in gold-plated sterling silver. ‘I come from a region in India that has a protracted and very crucial silver way of life,’ she says. ’For me jewelry is silver, and silver is jewelry — it’s treasured, it’s feminine, it timeless.’ She now splits her time among Mumbai — in which her studio is — and London, which, at the same time as nonetheless a metropolis is a rural getaway compared to the intense Indian weather and site visitors.
She’s endlessly stimulated by means of the architecture and cultural differences of the 2. ‘I love that I can work in my studio all day on a rainy monsoon day in Mumbai, and then one week later spend a summery afternoon designing a group while sat at a park in London,’ she says. And whilst her pieces are nonetheless easy and unembellished, her collections have won texture through the years. ‘My first line becomes quite simple, geometric bureaucracy,’ she says. ‘When I study it now, it seems like 3-dimensional drawings. My paintings are now so much more complicated and layered.’ Perhaps Mumbai and its sensory overload are operating its manner into the jewelry in the end — albeit on an intrinsically subtle scale.
Today, gemstone producers aren’t simply digging underneath the ground but making new inroads far from soil to increase man-made diamonds. De Beers has released new employer Lightbox, which specializes in laboratory-grown diamonds, even as Swarovski has invested closely in progressive mining-alternatives, which give obvious supply chains.
Now, San Francisco-primarily based man-made diamond producer Diamond Foundry has teamed up with Dover Street Market, on a special collection with six nice jewelers. ‘We wanted to create a collaboration that becomes inspired by using our unique and unique diamond cuts, stronger by way of each fashion designer’s expert craftsmanship, to push the boundaries of design’, explains Mona Sadat Akhavi, vice president of advertising at Diamond Foundry.
Ana Khouri, Delfina Delettrez, Hum, Hunrod, Raphaele Canot, and Sophie Bille Brahe are all at the leading line-up. These jewelers are renowned for their experimental diamond settings, deciding on to drop them in space or offset them towards unusual gems. There’s a punky punch in the back of their designs for Dover Street Market. Brazilian Ana Khouri, whose ear cuffs curve ergonomically around the ear, has created a single cuff style dangling with a length of pavé chain, even as Italian jeweler Delfina Delettrez’s studs and punched with punky metallic piercings. Elsewhere, Japanese atelier Hum has subverted the concept of an unmarried stone ring, dangling a significant diamond as a moveable pendant.